A jewel thief returns from prison to retrieve a hidden diamond - only to discover it is now inside a newly built police station.

Runtime
1 Hour 30 Minutes
BBFC rating
BBFC 15 certificate
Region
Region 2
Sound
Dolby Digital 5.1
Aspect
1.85:1
Release year
1999

Details

Miles Logan is a skilled jewel thief whose latest heist goes spectacularly wrong when a member of his crew double-crosses him. During his escape he hides a priceless diamond inside a building under construction, intending to retrieve it once the heat dies down. Unfortunately for Miles, the building turns out to be the LAPD's newest police station.

Fresh out of prison two years later, Miles discovers the only way back inside is with a badge. Armed with forged credentials, he poses as Detective Malone and quickly finds himself working cases alongside unsuspecting officers. His street smarts and criminal instincts make him surprisingly effective - perhaps a little too effective - leading to promotions he never asked for.

Complications mount when the FBI becomes interested in the missing diamond and Miles' former associates resurface, determined to claim their share. Balancing police duties, criminal deception and his own survival proves increasingly chaotic.

Picture & Sound

The picture quality is strong, with bright colours and solid detail throughout. The transfer is generally clean, although contrast occasionally feels slightly heavy in darker scenes. The Dolby Digital soundtrack performs well, with music driving much of the surround activity. Action scenes toward the finale provide the most dynamic use of the soundstage.

Menu & Extras

The extras are reasonable but not essential. The featurettes cover familiar ground and the music videos will appeal primarily to fans of the soundtrack. As usual, the marketing splash listing the extras on the front cover feels unnecessary - the film should speak for itself.

Overall

Blue Streak is an enjoyable action-comedy that never quite reaches the heights of the genre's classics. Martin Lawrence brings energy and fast-talking charm to the role, and there are moments where his improvisational style genuinely lands.

However, the script occasionally relies too heavily on familiar buddy-cop beats, and the humour can feel uneven. It's entertaining enough for a relaxed evening's viewing, but it doesn't quite achieve the sharpness or iconic status of films like Beverly Hills Cop or Bad Boys.

Still, if you're after light action, a few laughs and a brisk running time, it does the job - just don't expect a comedy classic.

Special features

  • Three Music Videos
  • Behind the Scenes Featurette
  • Featurette "Setting up for the Score"
  • Filmographies
  • Theatrical Trailer